In his “List of Evidences of the Turin Shroud”, Giulio Fanti and his co-authors include: “B13) The body image has the normal tones of light and dark reversed with respect to a photograph, such that body parts nearer to the cloth are darker.” At first sight this may seem reasonable, and explains the remarkable appearance […]

The Medieval Shroud 2 begins with a discussion about pareidolia which I think has been widely misunderstood, entirely due to my own extension of the meaning of the word further into general perception than was popularly warranted, and insufficient explanation of what I had extended it to mean. Let me clarify. Pareidolia is usually defined […]

The relative success of The Medieval Shroud and The Medieval Shroud 2 and 3 on academia.org has resulted in this spin-off, as a ‘place-holder’ for further research.